'From afar, they appear a series of near-abstract, color-saturated shapes. Move in closer, and they resemble realistic portraits of used tomes. Look closer still, and an inside joke emerges: In a work like “Londonensi Subterraneis: Victoria Linea” (left, 2012), the books are the actual color of London’s Victoria tube line, and each title contains the name of a stop.'
A Good Read
In New York, 1 December 2013
